Projects

SWEET DELIRIUM
2024 – 2026
SWEET DELIRIUM is a circus show composed of snapshots of everyday life scenes, exaggerated into surrealism. There are flying household items and acrobatics, spiritual awakening and choreographed chaos. We explore relationships between humans and toast, toast and humans, and how humans can become toast. What does toast mean to you?

Contemporary circus show / work in progress by Zinnia Nomura and Tzina Trikka
35 minutes for indoors or outdoors

Supporters: Vuesch e.V., Katapult, TRAP Circus Center Vienna, District Treptow-Köpenick, District Lichtenberg

Dates:
04.07.2026 Schöneweider Brückenfest
25.09.2025 Nowhere Show, Berlin
20.09.2025 Cabuwazi Hohenschönhausen, Berlin (Public Showing)
13.09. & 14.09.2025 Lurupina Festival, Hamburg (Public Tryout)
02.08.2025 Berlin Circus Festival (Pitching Session)

FAULTIER / SLOTH
2022-2024
Concept and performance by Zinnia Nomura and Florian Bögner.

We are masters of meditation, energy conservation, and aerial acrobatics. It’s not easy to survive in the rainforest, but if anyone can do it, it’s these sloths. Get ready for the slowest circus show you’ve ever seen.
Supported by KiA Theaterprämie, Bezirkskulturfonds Lichtenberg, Fonds Darstellende Künste WA-Förderung, Fonds Darstellende Künste Prozess-Förderung
Performances: Zürcher Theater Spektakel 2023, BoulevART Festival 2023, Inselbühne Potsdam

ORACLE
2023
The game is on! Come play with us. This is contemporary dance, but there are winners, and there are losers. Accessorise for your life and mash the buttons until you can’t go on. Only then will the oracle reveal its secret.
Dance performance – 40 Min
Funded by: Dis-Tanz Solo

404
2022
Multimedia, generative art experience. More information at https://xemantic.com/404/
Funded by: Fonds Darstellende Künste

MACHINE (UN)LEARNING
2020-2021
an interactive dance performance by Zinnia Nomura and Luca Scarpati

Machine (Un)learning is an interactive piece in which the audience uses an interface to send commands to the dancer. The audience experiments with the interface in order to understand how the use of the device correlates to the performer’s reactions.
Supported by Max-Himmelheber-Stiftung, National Gallery of Amman, DIS-TANZEN SOLO/Beauftragte der Bundesregierung für Kultur und Medien (BKM)
Photo (c) Arnaud Beelen